Crazy P are an English electronic group heavily influenced by vintage disco, soul, and house music. While early releases such as their 1999 debut album A Nice Hot Bath With. Were instrumental and sample-driven, they established a full band lineup with the addition of ebullient frontwoman Danielle Moore, who joined in time for 2002's The Wicked Is Music. The group continually refined their sound through their energetic live shows, as well as exceptionally focused full-lengths such as 2011's When We On and 2019's Age of the Ego, which displayed their skills at crafting both pop hooks and exploratory grooves.Crazy P came from humble beginnings, when two musicians - Chris Todd (aka Hot Toddy) and Jim Baron (aka Ron Basejam) - met at Nottingham University in 1995. They spent much of their free time sampling records they had bought, utilizing an Atari and Akai S-Series sampler and generally playing around with the house and disco sounds they both loved. They named themselves Crazy Penis after an obscure late-'80s house record called 'Loco Pinga,' preferring the English translation for the shock value factor.
After attracting the attention of local label Paper Recordings, they released their debut single, 'The Way We Swing,' in 1997, with 'Get It On' following in 1998. These preceded the band's 1999 full-length debut, A Nice Hot Bath With After meeting Danielle Moore over the course of their many excursions into Manchester's booming nightlife scene, they brought her into the fold, permanently altering their sound with the inclusion of female lead vocals and a greater pop sensibility. In the lead-up to their 2002 sophomore album, The Wicked Is Music, again on Paper Recordings, the band recruited two further members, bassist Tim Davis and percussionist Mav Kendricks, forming a full live band that went on to release two more albums, 24 Hour Psychedelic Freakout and A Night on Earth, through Shiva Recordings.In 2008, the band decided to modify their name, officially shortening it to Crazy P; Moore noted, 'We wanted to grow, and keep growing, so there was no point in cutting our nose off to spite our face by keeping the original name.' This coincided with their only lineup change, with Matt Klose taking over percussion from Kendricks for their fifth album Stop Space Return, this time released on acclaimed house label 20:20 Vision. Following the trend of two albums per record label, they also released their sixth effort, 2011's When We On, via 20:20. By 2015, Crazy P were responsible for numerous remixes - often undertaken by Hot Toddy - and multiple tours, including three in Australia, where they had a significant fan base. They capped the year off with the release of their seventh studio album, Walk Dance Talk Sing, switching to!K7 Records in conjunction with their own imprint, Walk Don't Walk Ltd., for its release.
Following several years of worldwide touring, including dates supporting Chic and Chaka Khan, Crazy P returned in 2019 with Age of the Ego. While representative of the group's signature sound, the album's lyrics reflected a deep concern for the state of the world. Liam Martin. British electronic band Crazy P have been continually refining their blend of disco, soul, house, and pop since the second half of the '90s, delivering remarkably solid albums and bringing enough live heat to land supporting slots for Chaka Khan and Chic. Age of the Ego, the group's eighth studio album, sounds perfectly in line with their other albums, but this one is unmistakably charged with a greater sense of urgency than anything else they've done. The album's title and cover art, which depicts monkeys taking a selfie, immediately express pointed commentary on the public's social media obsession, and the lyrics go further than that. 'The Witness' begins with a text-to-speech sequence about an 'Orwellian brave new smart grid,' and frontwoman Danielle Moore later declares 'The robots are in power' before urging the people to 'Fight for the power of love.'
While this song has a tricky, mid-tempo electro-funk rhythm, the group are up to full disco-house force on tracks like the defiant 'We Will F.k You Up,' which pledges to combat against the destructive forces of the world. The very Saint Etienne-like 'Kari' is a diversion into blissful, heartfelt semi-balladry, but 'Barefooted' is a steadfast disco-funk ode to empowerment, graced by inventive, Bernie Worrell-esque synth soloing.
'Step Into the Light' and the dreamy 'Love Is with You' are more lovestruck, but still poised, confident, and powerful. The eight-minute 'This Fire' starts out sounding like an '80s Chaka hit, then gradually builds up with backing vocals that echo Madonna's 'Like a Prayer,' and somehow manages to fit in a Bowie-sounding vocal part closer to the track's end. All of the songs on Age of the Ego are loaded with determination and revolutionary spirit, and while the group's lyrics have never been more forceful and commanding than they are here, the musicians haven't sacrificed their drive for exploration. The tracks encompass a wide array of tones and influences, and progress into unexpected directions, yet the group exhibit exceptionally tight musicianship, and their work is never less than deeply focused.
More importantly, though, the album is joyous, party-friendly, and immensely enjoyable. Paul Simpson. The disco/house-infused band formerly known as Crazy Penis have had a long recording career, albeit one that hasn't exactly pushed them to experiment or explore their sound too deeply. To focus on the lack of musical boundaries they've crossed is, however, to miss the point.
They are a musical act who know what they want, and consistently deliver their vision. Their sound has remained an accessible blend of groovy bass, 4/4 rhythms, and swirling melodies that practically beg for the remix treatment they often receive. So, by their seventh album it should come as no surprise that the music itself is almost indiscernible from their previous album, 2011's When We On. The trick is to compare Walk Dance Talk Sing to their earlier output, and although it follows the same formula, there's an unmistakable difference, at first seemingly unfathomable, but it's the sound of a band who have meticulously refined their approach over two decades; both in their songwriting and studio processes - they sound honed. All of this goes a long way to explain Crazy P's leading position in the U.K.' S 2010s disco resurgence alongside the likes of Bicep, Horse Meat Disco, and even Floating Points when he's behind the decks. Having based their entire career around danceable hooks has obviously taught them a thing or two, as album-opener 'Like a Fool' demonstrates.
The song appears to be constructed entirely of hooks, which begin to build until they eventually end up immersing you completely. The tracks that follow utilize more of a straightforward pop structure, complete with verse/chorus/verse; where their previous releases tended to eschew this approach, here Crazy P embraces it, nowhere more exemplified than on 'Cruel Mistress.' Although one of the few tracks that would feel out of place in a DJ set, it's also one of their finest pop songs to date. The album continues to alternate between hypnotic grooves and vocal-driven songs before hitting something of an anomaly.
'The Way' stands out for being one of the only Crazy P tracks to feature little to no percussion, a concept that essentially isn't needed on a Crazy P album. In fairness, it is the shortest song here, and precedes two of the most out-and-out disco tracks, capped by the dizzying eight-minute closer 'Witch Doctor,' which serves to remind the listener that, at heart, Crazy P can still pull off sprawling disco grooves. Some may create music to challenge the listener or encourage innovation, which is definitely something to commend in an artist, but when an act can stand up and do an impression of themselves that's so good it trumps the original source, then it's hard not to be equally as impressed. If anything, Walk Dance Talk Sing demonstrates that Crazy P has been taking everything on board over the course of their career, and will continue to build upon the 'dance music with a soul' underground empire they rightly own. Liam Martin.
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